Therapy
I am a collector.
For as long as I can remember, I’ve gathered and preserved things, objects, traces, fragments of daily life. What began as a personal archive of notebooks, cans, toys, receipts, even teeth and hair, eventually revealed something more universal: our shared impulse to hold on to what shapes us, to give form to memory through material things.
Cataloguing objects has always been a source of comfort and fascination. It started with items tied to emotion and experience, and gradually expanded into the systematic gathering of ordinary objects, repeating forms that build their own visual rhythm. This instinct to collect reflects a desire for order, continuity, and meaning something many can relate to, whether or not they keep physical things.
Photography became a natural extension of this impulse. By turning objects into images, I create a second layer of memory: a space where the physical and the symbolic meet. The composition becomes the culmination of my relationship with each object, transforming personal rituals into something shared and communicable.
Therapy explores this process. It uses photography not just as documentation, but as a way to understand the emotional structures behind collecting, how we categorize, preserve, and make sense of the world, and of time itself, through the things we choose to keep close.

Bottle Caps (a)
2022 New York
Therapy
I am a collector.
For as long as I can remember, I’ve gathered and preserved things, objects, traces, fragments of daily life. What began as a personal archive of notebooks, cans, toys, receipts, even teeth and hair, eventually revealed something more universal: our shared impulse to hold on to what shapes us, to give form to memory through material things.
Cataloguing objects has always been a source of comfort and fascination. It started with items tied to emotion and experience, and gradually expanded into the systematic gathering of ordinary objects, repeating forms that build their own visual rhythm. This instinct to collect reflects a desire for order, continuity, and meaning something many can relate to, whether or not they keep physical things.
Photography became a natural extension of this impulse. By turning objects into images, I create a second layer of memory: a space where the physical and the symbolic meet. The composition becomes the culmination of my relationship with each object, transforming personal rituals into something shared and communicable.
Therapy explores this process. It uses photography not just as documentation, but as a way to understand the emotional structures behind collecting, how we categorize, preserve, and make sense of the world, and of time itself, through the things we choose to keep close.
Bottle Caps (a)
2022 New York